Collage Paintings

“Ritchard Rodriguez’s palette resembles his vision of the modern world: dark, interrupted by moments of light. His ‘Untitled III (featured at The New Yorker Gallery exhibition)’ resembles a brave descent into gathering chaos. Peeking out between a barrage of brush strokes are snapshots of notorious politicians of a not very distant past, and at the edges one senses the inevitable approach of apocalypse.”

—C.S. Ledbetter III (curator)

— Click each image to enlarge —

Vintage Century (for Marlon B.)
Oil & collage on linen, 60″ x 60″ / 152.5 x 152.5 cm.

Honi Soit Qui Mal Y Pense (…Lust)
Oil, enamel & collage on linen, 34″ x 30″ / 86.5 x 76 cm.

Diptych inspired by Robert Ashley’s Libretto for ‘Improvement (Don Leaves Linda)’
Oil, enamel & collage on linen / film / Plexiglas, each panel 34″ x 30″ / 86.5 x 76 cm.

Prague Souvenir III
Oil, enamel, photography & collage on linen, 54″ x 36″ / 137 x 91.5 cm. — collection of Kip Hanrahan; Reston VA,

Atropos
Oil, enamel, photography & collage on linen, 41-1/2″ x 31″ / 105 x 78 cm.
Painted in Paris, France — collection of Charles & Karen Phillips; NYC, USA

Hic Et Ubique
Oil, enamel & photography on linen, 41-1/2″ x 31″ / 105 x 78 cm.
Painted in Paris, France — collection of Christian & Belinda Porré; Biaritz, France

Tattoo, “…The Horror” III
Oil, enamel & collage on linen, 34″ x 30″ / 86.5 x 76 cm.

Agnus Dei
Oil, enamel & collage on linen, 34″ x 30″ / 86.5 x 76 cm. — collection of Valérie Morel; NYC, USA

Lacrimosa
Oil, enamel & collage on linen, 34″ x 30″ / 86.5 x 76 cm. — collection of Christian & Belinda Porré; Biaritz, France

Recordare
Oil, enamel & collage on linen, 34″ x 30″ / 86.5 x 76 cm.

Excelsior, Sanctus III
Oil, enamel, photography & collage on linen, 54″ x 42″ / 137 x 101.5 cm.

Excelsior III
Oil, enamel, photography & collage on linen, 54″ x 42″ / 137 x 101.5 cm.

Fear of Fear
Oil & enamel on linen, 18″ x 16″ / 46 x 40.5 cm. painted in NYC, USA — private collection; Monaco

Fear…
Oil & enamel on linen, 18″ x 16″ / 46 x 40.5 cm. painted in NYC, USA — private collection; Monaco

Untitled II ‘90
Oil, enamel & collage on linen, two panels assembled, 32″ x 30″ / 81 x 76 cm.

Untitled III ‘90
Oil, enamel & collage on linen, two panels assembled, 32″ x 30″ / 81 x 76 cm.

“From the mid-eighties on, very much reflecting on the fantastic twentieth century, I felt that the only way to succeed at anything original was to recycle our ideas by pasting them together. I felt (still do) overwhelmed with the speed of things, especially the news and media, that I simply started to give some of it back with my work. I never intend my painting to be didactic but, every now and then, I somewhat opinionatedly attack hypocrisy with it. Having always enjoyed snapping a good picture, I began taking them with my canvases in mind. I also started to recycle older negatives in a darkroom, giving birth to new narratives and rhythms within these paintings. Suddenly anything was possible as I got very constructive with canvas, plexi-glass, paper, foil, strings, metal, metallic alkyds, and fixing separate panels together. Today much collage work can be done with PCs, but it’s personally still enjoyable keeping the work organic.”

—Ritchard Rodriguez